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returntothepit >> discuss >> 6/9 CHRISTIAN DEATH, BABY BOY H, TOMBS(Relapse) by RobinG on May 8,2008 2:59pm
Add To All Your Pages!
toggletoggle post by RobinG at May 8,2008 2:59pm



toggletoggle post by the true CNV at May 8,2008 3:04pm
Cool



toggletoggle post by RobinG at May 8,2008 3:26pm
GET TIX NOW @ Mid east box office 1-7pm everyday or...www.ticketmaster.com



toggletoggle post by RobinG at May 21,2008 5:03pm
Get cheap tickets.



toggletoggle post by RobinG at May 28,2008 1:26pm
Get tickets you death rockers!



toggletoggle post by the_reverend   at May 28,2008 1:36pm
I just said to carina that I was pissed this is on a monday.



toggletoggle post by RobinG at May 28,2008 1:38pm
ITS SUMMER WHO CARES!



toggletoggle post by the_reverend   at May 28,2008 1:41pm
my radio show cares.



toggletoggle post by ionsphere  at May 28,2008 1:55pm
robin, you're totally putting me on the list for this show because i let you into every event at great scott for free...right??

-Matt



toggletoggle post by RobinG at May 28,2008 3:11pm
I earned free admission there. haha



toggletoggle post by RobinG at May 28,2008 6:20pm
toppers



toggletoggle post by RobinG at May 29,2008 10:22am
TOP



toggletoggle post by RobinG at May 31,2008 4:06pm
TOP!



toggletoggle post by RobinG at May 31,2008 4:33pm



toggletoggle post by DaveFromTheGrave  at May 31,2008 4:39pm
Christian Death has been three different bands over the course of their existence. What do they sound like currently?



toggletoggle post by RobinG at May 31,2008 4:56pm
check my page, www.myspace.com/ammoniarecords the song playing is the new album it's pretty good.



toggletoggle post by DaveFromTheGrave  at May 31,2008 5:23pm
eh, it's not doing much for me, but they've been worse. Much worse.



toggletoggle post by DaveFromTheGrave  at May 31,2008 5:23pm
I remember teh prophecies album, when they were a doom band. That was kinda good.



toggletoggle post by RobinG at Jun 1,2008 12:46pm
They rock out as a Three piece it's pretty cool.



toggletoggle post by RobinG at Jun 2,2008 8:32pm
Get tickets.



toggletoggle post by RobinG at Jun 3,2008 12:57am
NOW!



toggletoggle post by the_reverend   at Jun 3,2008 2:10am
sooooo wish this wasn't a monday.



toggletoggle post by RobinG at Jun 3,2008 12:46pm
well it is



toggletoggle post by RobinG at Jun 3,2008 3:21pm
GET CHEAP TICKETS NOW.



toggletoggle post by RobinG at Jun 4,2008 5:34pm
GET ON THIS YOU'LL REGRET IT IF YOU DON'T!



toggletoggle post by madoakdevin nli at Jun 4,2008 5:41pm
justin is putting me on the guestlist!!!!!!!



toggletoggle post by RobinG at Jun 5,2008 4:39pm
Please repost my myspace bulletin.
Monday, June 9, 2008<br>The Middle East Downstairs<br><br>Ammonia Booking Presents<br>CHRISTIAN DEATH<br>BABY BOY H<br>TOMBS (from NYC, ex-Anodyne/Heuristic)<br><br>18+<br>$15adv/$20dos<br>8PM Doors<br><br>********************<br>CHRISTIAN DEATH<br><img src="http://i70.photobucket.com/albums/i106/claynferno/unknown-13.jpg"><br><br>The founding fathers of American goth rock, Christian Death took a relentlessly confrontational stand against organized religion and conventional morality, with an appetite for provocation that made Marilyn Manson look like Stryper. <br><br>Regardless of who was leading or performing in the group, Christian Death set themselves up to shock, both in their cover art and their lyrics, which wallowed in blasphemy, morbidity, drug use, and sexual perversity. Their self-consciously controversial tactics set them apart from the British goth scene, having more to do with L.A. punk and heavy metal, and thus the band dubbed its sound "death rock" instead; however, their sensibility was ultimately similar enough that the "goth" designation stuck in the end. Their music also relied on slow, doomy, effects-laden guitar riffs and ambient horror-soundtrack synths, and their theatrical performances were strongly influenced by British glam rockers like David Bowie and Roxy Music, as well as industrial provocateurs Throbbing Gristle. The latter was especially true of the band's first incarnation, led by vocalist and founder Rozz Williams, who masterminded much of what many critics consider their best work. <br><br>When Williams left in 1985, guitarist Valor Kand took over leadership and sent the group in a more intellectual, political, and metal-oriented direction. A subsequent dispute over ownership of the Christian Death name led to a bitter feud between the two, not to mention competing versions of the group, leading many of their fans to take sides. The unconverted tended to dismiss Christian Death no matter who was involved; critics often found their poetry florid and overwrought, their subject matter self-important, and their shock tactics ham-handed. Nevertheless, Christian Death had an enormous influence on the American goth scene, shaping the sensibility of countless goth, metal, and even industrial acts that followed. Sadly, the Kand-Williams dispute ended in tragedy in 1998, when a heroin-addicted Williams took his own life. <br><br>Rozz Williams (born Roger Alan Painter, November 6, 1963) founded Christian Death in Los Angeles in 1979, having grown up in the eastern suburb of Pomona in a Christian family. Originally, the 16-year-old Williams called his group the Upsetters, which also included guitarist Jay, bassist James McGearty, and drummer George Belanger. The band didn't really take off until it changed its name to Christian Death (reportedly inspired by a goof on designer Christian Dior's name) and added onetime Adolescents guitarist Rikk Agnew. In 1981, they made their recorded debut with several tracks on the L.A. scene compilation Hell Comes to Your House, which also featured the more tongue-in-cheek death rock compatriots, 45 Grave. <br><br>Hooking up with Frontier Records, Christian Death issued their debut album, the goth landmark Only Theatre of Pain, in 1982. Featuring genre touchstones like "Romeo's Distress" and "Spiritual Cramp," the record also included guest vocals from Superheroines leader Eva O. (born Eva Oritz), who would become Williams' wife and semiregular collaborator in 1987. Having already booked a European tour, the original lineup of Christian Death splintered amid infighting and drug abuse. Williams quickly assembled a new version of the band in 1983 by merging with their scheduled opening act, another L.A. death rock band called Pompeii 99, and eventually settled on retaining the more evocative Christian Death name. Australian-born guitarist Valor Kand, keyboardist/vocalist Gitane Demone, and drummer David Glass joined with Williams to create the best-known Christian Death lineup (bassist Constance Smith was also onboard, but was soon replaced on the tour by the Sex Gang Children's Dave Roberts). While overseas, the group recorded the second Christian Death album, Catastrophe Ballet, another much-revered goth rock record that appeared on the French label L'Invitation au Suicide in 1984. <br><br>Returning to the U.S., the band formed its own label, Nostradamus, and the Valor/Rozz lineup issued its second album together, Ashes, in 1985, once again to an enthusiastic reception from goth fans. A live album, The Decomposition of Violets, was culled from the supporting tour (with second guitarist Barry Galvin now in tow) and released by ROIR. By this time, Christian Death were drawing predictable fire from religious groups in the U.S. over their lyrics, artwork, and concert performances, and were finding it easier to mount tours for their growing European fan base. In mid-1985, Rozz Williams left the band he'd founded, partly due to his increasing interest in experimental music and surrealist performance art. Valor Kand took over leadership of Christian Death, now serving as lead vocalist and songwriter. Reportedly, Kand and Williams had agreed to rename the existing band Sin and Sacrifice; however, on the ensuing tour of Italy, fans assumed they were still watching Christian Death. <br><br>Defrauded and left penniless by the tour promoter, the band recorded a quick EP for the Italian label Supporti Fonografici called The Wind Kissed Pictures, which was credited to The Sin and Sacrifice of Christian Death in order for fans to know whom they were buying. The band raised enough money to return to England, which they made their permanent base; meanwhile, The Wind Kissed Pictures was issued in the English-speaking world under the Christian Death name, as once again few people comprehended the change. <br><br>Williams, meanwhile, all but dropped out of sight for several years, eventually resurfacing in side ventures like Premature Ejaculation, Heltir, and Shadow Project (the latter with his wife Eva O. ). Now settled in England, Christian Death added bassist Johann Schumann and returned to the Welsh studio where they'd cut Catastrophe Ballet. Their first post-Williams effort was 1986's Atrocities, a concept album about the aftereffects of World War II on the European psyche. Their next project was Jesus Christ Proudly Presents Christian Death, a box set of concert EPs from 1986 and early 1987. The proper follow-up to Atrocities was even more conceptually ambitious; 1987's The Scriptures was Kand's musical treatise on comparative religion, and surrounded him with a revamped lineup of Demone, Glass, guitarist James Beam, and bassist Kota. The Scriptures marked the beginning of Christian Death's evolution into a mouthpiece for Kand's one-man crusade against political corruption and organized religion (the Catholic Church in particular). His liner notes explained his elaborate intellectual concepts in painstaking detail, and he increasingly used interviews as a platform to launch vitriolic attacks on his favorite targets. Longtime drummer David Glass left the group following the release of The Scriptures, and returned to California, where he eventually worked with several of Rozz Williams' side projects. That whittled Christian Death down to a quartet for the 1988 single "Church of No Return," one of their more accessible efforts. <br><br>Despite the group's more intellectual bent, they weren't above resorting to the calculated offensiveness of old; the cover of their 1988 LP Sex and Drugs and Jesus Christ depicted Jesus shooting heroin. The ensuing furor helped make the album the group's biggest seller; it also saw them evolving into a more basic, straightforward goth metal band. In 1989, with new second guitarist Nick the Bastard onboard, the group issued the concert document The Heretics Alive. Gitane Demone subsequently left the band, not to mention her longtime lover Valor Kand, citing dissatisfaction with his new direction; she relocated to Amsterdam and pursued a jazz singing career. With Demone's departure, the always-unstable Christian Death lineup splintered completely, leaving Kand essentially a solo auteur despite continued instrumental assistance from Nick the Bastard. <br><br>In 1989, Kand completed another far-reaching concept opus, All the Love All the Hate, which was released in two separate full-length LP installments that covered "love" and "hate" themes respectively. The latter featured one of the band's more notorious latter-day cuts in "I Hate You," a profane tirade by Valor and Demone's five-year-old son Sevan Kand; its artwork also utilized Nazi imagery to a somewhat ill-defined end. Nick the Bastard subsequently departed, and bereft of any backup, Kand turned his attention to archival material; 1990 saw the release of the demos/outtakes compilation Insanus, Ultio, Proditio, Misericordiaque, and 1992 brought the Valor Kand-era singles retrospective Jesus Points the Bone at You?. <br><br>Meanwhile, a penniless Rozz Williams had resurrected his own version of Christian Death during the late '80s, with his wife Eva O. contributing guitar as well as the band's signature female vocals. Billing themselves as the original Christian Death, they were rejoined by first-album guitarist Rikk Agnew for a 1989 tour of Canada. Despite the dubious legality of Williams' use of the Christian Death name, his efforts attracted the interest of the goth-oriented Cleopatra Records label. <br><br>In 1992, with Valor's version of the band in recording hibernation, Williams issued The Iron Mask as Christian Death, its title a pointed reference to the Alexandre Dumas novel about a usurper who imprisons the rightful heir to the throne. He and Eva O. were joined by bassist Listo and drummer David Melford, and most of the repertoire dated from Williams' first three albums with the original band. The similarly conceived Skeleton Kiss EP appeared on its heels. An all-new studio effort, The Path of Sorrows, followed in 1993, with a new lineup behind Williams and O.: keyboardist Paris, multi-instrumentalist William Faith, and drummer Stevyn Grey. <br><br>In June that year, Williams re-formed most of the early Christian Death lineup — bringing back Rikk Agnew (once again) and George Belanger, with support from guitarist Frank Agnew and bassist Casey Chaos — for a one-off show in Los Angeles. The result was released in 1994 by Triple X as the live album Iconologia. Williams' reclamation of the Christian Death name sparked a fierce court battle with Valor Kand, who eventually won trademark rights and forced Williams to bill his version of the band as "Christian Death Featuring Rozz Williams." <br><br>In part to keep his rival from stealing his thunder, Kand assembled a new Christian Death of his own, centered around himself and new wife Maitri on bass and vocals. He returned with 1994's Sexy Death God, which many longtime fans greeted as his best and tightest effort in quite some time. Confusingly, Williams' Christian Death also issued a new album that year, The Rage of Angels, which found its leader dabbling in spoken word at times. A steady stream of archival reissues — live material, outtakes, remixes, etc. — from throughout the band's history also began to appear on Cleopatra. Adding guitarist Flick and drummer Steve Wright, Valor's Christian Death picked up their recording pace, offering the double live set Amen in 1995, and returning to the ambitious concept works of old with 1996's Nostradamus-themed Prophecies. <br><br>As it turned out, Williams' version would not release another full album of original material. He pursued several other projects, including a duo album with Gitane Demone (1995's Dream Home Heartache) and a spoken word examination of his heroin addiction (1996's The Whorse's Mouth). That addiction would help claim his life on April 1, 1998, when the 34-year-old Williams hanged himself in his West Hollywood apartment. <br><br>He was mourned by a still-devoted cult of fans, and even Valor Kand put aside his previous animosity to dedicate that year's Pornographic Messiah album to Williams, going so far as to draw from some of Williams' more experimental influences. Kand's Christian Death soldiered on, issuing the two-disc singles/outtakes compilation The Bible in 1999. <br><br>In 2000, they added drummer Will "Was" Sarginson (ex-Cradle of Filth and Blood Divine) and toured Europe alongside Britain's Cradle of Filth, one of the more popular black metal bands of their time. The two groups got along well enough for several Cradle members to guest on Christian Death's 2001 album Born Again Anti Christian, helping it become one of the most metallic records in their catalog. The following year, bassist Maitri issued the black metal-influenced solo album Lover of Sin (confusingly labeled on the cover as "Christian Death Presents... "). <br><br>In 2003, Cradle of Filth guitarist Gian Pyres officially joined Christian Death for their European tour. <br> <br>Artist Website: <a href="http://www.msplinks.com/MDFodHRwOi8vd3d3LmNocmlzdGlhbmRlYXRoLmNvbS8=">http://www.christiandeath.com/</a><br><br>********************<br>BABY BOY H<br><img src="http://i70.photobucket.com/albums/i106/claynferno/unknown-1-10.jpg"><br><br><br>2007 was a transitional year for BABY BOY H.<br> <br>A new artistic direction brought on the beginnings of the band's 3rd album. BABY BOY H's first two albums, the later and the imaginary dream have been well received. The band is now looking to expand their vision with a sound that is more indicative of the original idea that conceived BABY BOY H 4 years ago...<br><br>We've been hard at work all winter. writing a ton of new stuff, practicing, recording, and getting our collective butts in gear to come back out and play for you all. we miss you guys and can't wait to see you at our upcoming shows.<br><br>We are pleased to announce two new members of the band. Jess ..boards, and Jeff (member of Stoic) on bass."— BABY BOY H<br><br>Artist Website: <a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm15c3BhY2UuY29tL2JhYnlib3lo">http://www.myspace.com/babyboyh</a><br><br>********************<br>TOMBS (from NYC, ex-Anodyne/Heuristic)<br><img src="http://i70.photobucket.com/albums/i106/claynferno/unknown-2-6.jpg"><br><br>On their self-titled EP, Brooklyn's Tombs prove to be quite adept at brooding, shoegazey, metallic hardcore bombast. While the EP sometimes carries a little bit of noisy flair, more often than not the band come off like the bastard child of Swans and Neurosis, producing a bold, blackened sound that wouldn't be out of place on the Hydra Head roster.<br><br>Tombs starts out in peak fashion, with the big and chunky yet haunting and atmospheric riffs of guitarist Mike Hill (of Anodyne and Versoma) pulling the listener directly into the fold; Hill takes the vocal charge with his growling demeanor as well. Overall, "Fountain of the World 666" is a splendid opener and possibly Tombs' best track here.<br><br>Hill knows when to properly adjust his delivery to fit the tunes, too. He serves up a fairly diverse performance in "Course of Empire," where he transitions from slow, frustrated snarling to strained screams á la the frontmen of mid-..80s noise hardcore (Flipper, Black Flag), or his coarse whispers in the minimal beginning of "Marina." Nearly all the while, the rhythm section spills forth in a dirty dirge and the guitars continue to moan and yawn over the sound-scape.<br><br>At 7 songs and 26 minutes, Tombs' first half is infinitely more interesting than its second, with the band's best moments seeming to come early on. However, they've clearly conveyed a dark and ugly wall of sound here that's dauntless and, at times, very compelling. —Punknews.org<br><br>Artist Website: <a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm15c3BhY2UuY29tL3RvbWJzYmtseW4=">http://www.myspace.com/tombsbklyn</a><br><br><br>********************<br>Promoter Website: <a href="http://www.msplinks.com/MDFodHRwOi8vd3d3Lm15c3BhY2UuY29tL2FtbW9uaWFyZWNvcmRz">http://www.myspace.com/ammoniarecords</a>



toggletoggle post by RobinG at Jun 5,2008 4:40pm
MONDAY NIGHT PLEASE COPY AND PASTE THE HTML ABOVE FOR A MYSPACE BULLETIN.



toggletoggle post by RobinG at Jun 6,2008 4:05am
TOP FOR MONDAY



toggletoggle post by RobinG at Jun 6,2008 5:15pm
TOP!



toggletoggle post by RobinG at Jun 8,2008 1:23pm
tomorrow!



toggletoggle post by RobinG at Jun 9,2008 3:19am
MONDAY TONIGHT!



toggletoggle post by RobinG at Jun 9,2008 12:14pm
This is tonight.



toggletoggle post by chillywillywongaface at Jun 9,2008 12:25pm
So you name for chick. Woman no make shows. Go make babies.



toggletoggle post by thuringwethil at the library at Jun 9,2008 12:35pm
he's back!



toggletoggle post by RobinG at Jun 9,2008 12:55pm
whose back?



toggletoggle post by thuringwethil at the library at Jun 9,2008 1:00pm
chillywillywongaface

the new Zelig



toggletoggle post by RobinG at Jun 9,2008 1:01pm
Swwett



toggletoggle post by RobinG at Jun 9,2008 4:10pm
TONIGHT! GO!



toggletoggle post by RobinG at Jun 10,2008 8:01am
haha noone went.



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